Was born in Panama City. At the age of 12 he entered the National Culture Institute (INAC) Santiago de Veraguas (Panama) in 1984, secondary education at the Instituto Urraca de Santiago de Veraguas in the year 1989. He studied painting at the Art Academy Suricov (Moscow) in 1990, where it participates in a workshop of master of the Academy of Art.
In the course of his career he has participated in multiple exhibitions and auctions in different Panamanian provinces including the capital city and also exhibited internationally in countries like Russia, Germany, England and USA.
Painter, muralist, sculptor, writer, poet and designer.
THOUGHTS:
Styles are rendered with character ideas and faces own.
The true essence of art is freedom of spirit to express itself in different ways, just, this is often limited by the mind.
When you give exclusive way to the cognitive part, we limit the spiritual part.
The objective of good work, is more than present realities, experiences or experiences of the artist. Rather, to show their perception and interpretation of them.
There are two important aspects to consider in a good work: their quality from the standpoint of academic and artistic expression based on this perception, which is then expressed by the creative impulse that creates a work, which becomes the essence of his originality.
Inspiration is not something we find, is something that is within us, is part of us and that find ourselves in a situation, something, someone or somewhere, that part sencible wakes, then arises the need to express what we feel some form of art either, shapes, colors, melodies, body movements, poems.
I particularly seek to find in my work, each of these expressions together.
Pseudonyms and STYLES
Each one of my styles show different ways of expressing my art, that is, to put a face to own ideas, expressed with different characters and consecutively expresiones.Y naming each of them.
Technically run in different ways.
I assigned each of them different ways of building capacity in the exercise of painting.
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